The final installment of our (Early) Summer Crushes series
Fun Fact: These two writers have known one another since infancy
(1) I’m going to be sneaky here and use music as an excuse to talk about a movie. Do you ever do a thing where you start watching a movie and it immediately begins to resonate with you in a way which causes you to cry approximately every 15 minutes for the duration of the film? If yes, then you’ll understand when I tell you this is how I felt throughout “20th Century Women.” This is a movie, made by a man, about women, in the most respectful, loving, and feminist way, that I was moved to tears and swooning simultaneously. I don’t want to give too much away so I’ll just drop some key terms; Zoe Moss, clitoral stimulation, and “I think I’m a feminist” (as said by the most adorable teenaged actor who plays the male lead role). I’m now on the fast track to wanting to do more research on Roger Neill who did all of the instrumental/incidental music for this movie (do you like how I brought things back around to musc?).
(2) I have been listening to this album/particular songs from this album every day for the past 1-2 weeks. For me, this album is a perfect example of needing to hear music at the right place and/or time. I tried to listen to it when it first came out and for some reason I found it inaccessible. When I reflect on that now it makes me want to build a time machine just so that I could go back and give myself a good shaking. Sarah Assbring is the sole member of this group. Yes, go back and read that sentence again. One woman, who is clearly a genius, is behind this music. The whole album is brilliant, and I highly recommend listening to “Endless Ways” and “Kouign-Amman.” But, someone has kindly put the entire up on YouTube, so you should just listen to the whole thing.
(3) Here’s how I got into Shriekback. I was on a roadtrip and we had Sirius radio. As the trip progressed my significant other and I were both in agreement that the station that played the most consistently good (or bare minimum interesting) music was “1st Wave” where for some reason all of the disc jockeys have Australian or British accents (or pretend to). Anyway, on the last day of our trip one of the djs played this song and shared that he felt it was a precursor to bands like “White Zombie.” Now, I’ve never been into “White Zombie” but I am into Shriekback. Especially after seeing this clip. If there was a class that all aspiring performers would be required to pass before first taking the stage, I feel confident that there would be content on the final exam connected to this Shriekback performance. Also, on the recorded version, take note of the woman who sings the super high part in the background. Shriekback created some highly ambitious pop music and I dig them. Fun fact: The director Michael Mann is also a fan of this band and used their music in Miami Vice and the truly amazing movie “Manhunter.”
(4) I got into Nitzer Ebb vis-a-vis Shriekback. As in, I kept coming up with excuses to talk to my significant other about Shriekback whenever it seemed like it wouldn’t be too much of a conversational stretch. When that didn’t work I would just say things like, “Can I talk to you about Shriekback now?” As part of my fervor I borrowed a Goth music box set from the library (because there was a Shriekback song on one of the discs) and subsequently said, “I thought I was into goth music, but maybe not.” To which my SO replied, “I think you might actually be into industrial music.” A quick Wikipedia search later on Industrial Music and I was doing a swan dive into the world of Nitzer Ebb.
As you listen to “Join the Chant” please consider this; being that music is so much about organizing and arranging sounds, why don’t more artists work human noises (that aren’t words) into their songs? I’m pretty seriously obsessed with that yelp/cry/moan thing they do in this song and I want more of it. Also, how do you record something like this? As in, what the bejeezus are you doing in the studio to get yourself to be able to make that sound on cue in order for it be recorded? I guess these are all secret Nitzer Ebb mysteries to which I may never find an answer.
(5) I might be stretching the parameters of this “Summer Crush” prompt with this one for a couple of reasons. (1) I’ve been really into listening to these talks for over a year now which certainly pushes the limits of the definition of the word crush, and (2) while these talks do include some chanting (usually at the start), they aren’t really musical in nature. But, I. Don’t. Care.
My favorite speaker on this site is Ajahn Amaro because he’s so amusing/down-to-earth/relatable/smart/entertaining/insightful/calming. Thus far I pretty much only listen to the posts which feature Ajahn Amaro. I’m fairly certain I’ve listened to every one of his talks from 2016 and thus far I’m really trying to pace myself with the newly posted 2017 talks. I will leave “Kindness to Yourself” here for you, because I hope you will find it accessible (even if you aren’t a Buddhist). Before you immediately write it off as some modern day mindfulness gobbledy goop, I would encourage you to take a listen with an open mind. You might just find it helpful, in the simplest way possible.
Bleachers: There’s a couple of bands that are my go-to’s in the summer – you know, the ones you just have to blast in the car with the windows rolled down on the highway, driving … exactly the speed limit. Probably one of my top summer bands is Bleachers. I discovered them a couple summers ago when I was living in coastal South Carolina and had long commutes everywhere I needed to go. I think I listened to their first album nonstop for the entire summer. It checks a lot of boxes for me – it’s got a kind of nostalgic 80s feel to it, it’s anthemic and it’s real music, not this shit that passes as music these days. And their new album just dropped a couple days ago so it looks like I’ve got another summer of Bleachers blasting in the car to look forward to.
BetaPlay: This little band makes my heart happy. It’s another of my summer go-tos. And they are coming to Virginia Beach in July with Toad the Wet Sprocket, and I am definitely going to be there. (Also, who else didn’t know that Toad the Wet Sprocket was still a thing?)
My David Bowie coloring book: Look, I don’t know what the rules are for this Summer Crush list, but I feel like my newly acquired Bowie coloring book has to be on it. There are no rules in rock ’n’ roll anyway, right? My aunt sent me this coloring book, and it’s everything. Not only does it have iconic Bowie pictures to color, but it also includes a bunch of facts and stories. And I can use my David Bowie calendar to make sure I’m coloring all of his outfits correctly (because coloring Bowie all willy-nilly seems sacrilegious somehow).
Graveyard Whistling: The Old 97’s (I wrote about them once, remember?) put out a new album a couple months ago, and once again, they have not let me down. Of particular note, the song “She Hates Everybody.” A misanthrope love song? Be still, my beating heart.
The Handmaid’s Tale: OK, OK, it’s not exactly music-centric, but this show uses music in the best way possible. I don’t know who’s scoring this thing, but it’s fantastic. There’s not a ton of music, but that’s why the musical moments really resonate. And the music really says something about the characters and also serve as a reminder that at one time these characters had normal lives just like us and they listened to normal music just like us. (New episodes Wednesdays on Hulu – you need to be watching this).